RETRO HORROR
Human-made artwork. Screen printed on heavy ass tees in El Paso, Texas.
PRINTED ARTWORK
Numbered, signed, never reprinted.
11×17 · 100lb cover · satin finish
STICKERS
Six designs cut from Drop 3. For laptops, lockers, lighters, and lost causes.
3" die-cut · weatherproof vinyl · matte finish
From here down
Everything below this is history.
When I planned Drop 1, I truly thought it'd take about 6 months to sell through, and I would've been fine with longer. I was just excited to actually be doing this. It sold out in a week. So for Drop 2 I tripled the size, hoping to make it last a month. It was gone in two weeks and we restocked twice in that time. Fucking crazy.
These are still on the homepage because they're how Wicked End went from an idea to something real.
You're all insane. Thank you.
A proper history page is coming. For now, keep scrolling.
Dark Fantasy
human made graphics.
printed on heavy ass LAA 1801GD’s.
DROP 2 DOESN'T END THERE.
LIMITED PRINT ARTWORK
MATTE GALLERY FINISH
80 WALLPAPERS.
-
built with the same care as the shirts. heavily textured, detailed, each one could’ve been a print.
REP IT
MOTHERFUCKER
MYSTERY RELIC
a physical relic.
you’ll see what you got when it gets to you.
(it's cool, i promise.)
FOR THE FEW
i made 40 designs for drop 2.
you all voted on your favorites.
the top 6 went into full production.
_
these were right there.
loved, but just barely didn’t make it.
_
but small runs like this don’t make sense, it’s too expensive to do one-off prints.
that’s why they’re priced the way they are. i don’t do print on demand. i buy my own blanks and print everything by hand. and i can only squeeze out some profit if i buy things by the thousands.
_
10 designs that were loved.
just 2 of each.
_
not even me, the owner, will have one.
only 2 of these will ever exist in the world.
Shackled
The Rest Never Mattered
Sleep Paralysis
Til Nothing
Pain Over Poison
Under Control
genuinely, no shortcuts.
i test prints. i rework designs. i don’t release pieces until they feel finished.
the garments are chosen for weight and durability.
the prints are meant to age with wear.
i keep production small and local so i can stay involved in every step.