The Hours
i draw everything by hand. start to finish.
i test prints and redo what needs fixing.
nothing moves forward just to hit a date.
when it’s ready, it goes to a local screen printer in el paso.
heavyweight garments. real cotton.
ink that breaks in over time.
every piece is intentional.
i test prints and redo what needs fixing.
nothing moves forward just to hit a date.
when it’s ready, it goes to a local screen printer in el paso.
heavyweight garments. real cotton.
ink that breaks in over time.
every piece is intentional.
The Graphics
most of my graphics come from something real. a lot of it comes from addiction. something that was part of my childhood and still got the best of me later in life.
i’m not trying to explain that while i’m drawing, but it shows up anyway.
some pieces change a lot. some don’t.
i let them land where they land instead of forcing a meaning.
once it’s done, i’m onto the next.
when it’s out, it’s not mine anymore.
people take what they take from it.
i’m not trying to explain that while i’m drawing, but it shows up anyway.
some pieces change a lot. some don’t.
i let them land where they land instead of forcing a meaning.
once it’s done, i’m onto the next.
when it’s out, it’s not mine anymore.
people take what they take from it.